THE CREW

 

THE CREW

Particular Thanks To: John Atkinson – for calling the plays and marking the scorecard. Mrs. Edward T. Chase – for support of the premiere. Ted Chapin at Rogers & Hammerstein – for cheerleading. Art Dudley – for match-making. Jeff Idelson and the team at the Hall of Fame – for support of the premiere. Samuel Goldwyn Jr. – for the detailed notes before, and the dinner after. Ian Krouse at UCLA – for the use of his office piano one summer. Mike Marciano and Bill Schnee – for protecting the plate. Mark Miller – for friendship and work above and beyond. Luis Torres – for the translation. Van Dyke Parks – for match-making. And to Stephanie Vlahos– for weathering the e-mail storms.

Director Stephanie Vlahos comes to the directing profession with the experience of a former professional singer. A graduate of Yale University and the Juilliard School, Stephanie has worked in solo performance in diverging musical arenas. A recipient of the Chanel Diva Award, she is currently Artistic Director for OPERA POSSE, and is a theatre coach and stage director for the Domingo-Thornton Young Artists Program at LA Opera, as well as Director-in-Residence at The Bob Cole Conservatory of Music at California State University, Long Beach.

Co-Writer Mark Miller earned a history degree at Stanford and reported for Reuters and CBS Radio. He began a parallel career in show business at 20th Century-Fox as a writer for director-choreographer Bob Fosse, and co-wrote the screenplay for the Universal feature film “Mr. Baseball”, among other films. He has written 40 books and articles for the National Geographic Society and was a columnist for the San Francisco Examiner. He is currently a writer for CBS Radio, nominated for a 2012 Writers Guild of America Award for Outstanding Achievement in Television and Radio Writing. He lives with his wife in Los Angeles.

Producer John Atkinson has been editor in chief of Stereophile magazine since 1986. Formally educated in the sciences, with an honors degree in physics and chemistry and a postgraduate qualification in the teaching of high-school science, his passion was always for music

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. A musician (primarily on bass guitar, but also on recorder, clarinet, violin, and viola da gamba), a sound recordist, and an audiophile, Atkinson pursued all three areas simultaneously in the 1960s and ’70s, before finally settling down in magazine publishing in 1976, when he joined the UK’s Hi-Fi News & Record Review. He has produced, engineered, mastered or played instruments on more than 40 commercially released LPs and CDs since 1972.

 

BAND SESSIONS RECORDED AT

Systems Two Recording, Brooklyn, New York

June 16-17, 2011

Drums – Gernot Bernroider ♦ Trumpets – Russ Johnson ♦ Bass – Rich Mollin

Saxophones – Jason Rigby ♦ Piano, Hammond C3, Fender Rhodes – Sean Wayland

Conducted by – Sasha Matson ♦ Engineered by– Mike Marciano ♦ Photographed by – Wes Bender

PRO TOOLS EDITING BY – Justin Volpe

MIXED BY – Mike Marciano at Systems Two Recording

MUSIC PREPARATION BY – Jonathan B. Griffiths and the Terry Woodson Music Service

 

VOCAL SESSIONS RECORDED AT

Schnee Studio, Studio City, California

September 1-2, 2012

ENGINEERED BY – Bill Schnee and Kenton Fukuda

PHOTOGRAPHY BY– Joseph D’Allessio